I’ve mentioned before the importance of letting other writers read what you’ve written, of having another pair of eyes peruse your work, and I can’t stress it enough.
I’ve been working on revising a novel I wrote a few years ago which is set in Edinburgh, and which I really didn’t do much about after I finished it, before I moved on to something else instead. (Bad habit of mine!) Recently, I dug it out from my extensive ‘back catalogue’ and sent it to a friend who happens to live outside of Scotland for her to read and comment on, and I’m very glad I did.

Steps leading up to an Edinburgh Close
Firstly, factual things in the book that were clear to me as I’d visited Edinburgh often and know it well, didn’t make much sense to her, particularly where people live. Tenements, several storeys high, have a common entrance which leads up stairs to two or three apartments on each landing. These are common throughout the city (and in fact, much of Scotland) and are often beautiful buildings with a long history dating back in some cases in the Royal Mile to the seventeenth century. They are very desirable properties indeed and change hands for large sums. But all this I’ve now had to explain much more in my book, especially as I’m aiming at an American publisher.

Even the back of Edinburgh Castle is built as a tenement!
And then there was the question of motivation for the male protagonist’s behaviour. That set me thinking. Why exactly did he waver in his feelings for my heroine? What had happened in his past to make him behave in such a way? I needed to know much more of his backstory to justify it. So I’m intent on sorting that problem out too.
I was also working on a synopsis for the book which I took along with me to the latest club read-around. Reading it aloud to an experienced audience was illuminating. Not only did I ‘hear’ what was wrong, the group were quick to pick up on points that weren’t clear as well. More for me to improve before I even think of sending it off.
I was sporting an extremely fetching black eye at that meeting, having tripped and banged my face on the pavement outside my home. I spent a night in the Accident and Emergency department to ensure I didn’t have a head injury before I was sent home to recover.
Food for thought again, this time very thankful that I live in a country where, when illness or accidents happen, we don’t have to worry about the cost of care, drugs, operations and tests. It is all provided by our wonderful, if much maligned NHS. Yes, it’s short-staffed and underfunded and sometimes in danger of collapse but as an idea, a concept, it is the best thing that this country, or any other, has ever put into practice.
So the eyes have it, whether black or my normal colour, and I’m very grateful too!
Is it off-putting listening to two lady crime writers read about a gruesome murder in Glasgow and digging up skeletal remains in Orkney while in the middle of a delicious lunch? Surprisingly no. In fact I immediately bought the books in question and had not a pang of indigestion either.
scene he witnesses one Hogmanay and struggles to return to duty in order to solve his latest case. Glasgow is again the setting for this intriguing addition to the Scottish crime genre.





Kirsty’s Kritturs had brought along a variety of intriguing creatures that had the children slightly cautious at first but then enthusiastically holding giant cockroaches, patting the Egyptian Uromastyx (or lizard to you and me) and peering in at the tarantula and the scorpion. And of course, stroking Richard the python. He was soft and quite cold so wasn’t really enjoying what passes for early summer here.
It’s quite a hectic schedule producing work for them all, as well as for the Scottish Association of Writers competitions and any others that catch our collective eye. And of course, there’s all the work we do for publication in its variety of genres.
about a bunch of inept Glasgow gangsters trying to steal a large and valuable diamond. You can read the 


