Scottish Association of Writers 2019

The Scottish Association of Writers were celebrating their 50th conference this year and they did it in some style with cake and balloons and a Bookiversity quiz and a play written and performed by a bunch of crime writers and yes, it was criminal!

And of course, there were competitions, speakers and workshops galore!

Here are some of my photos from the event;

dinner 2

The Gala Dinner

trophy winners

The Trophy Winners from Ayr Writers’ Club

play

‘Carry on Sleuthing’ with Caro Ramsay, Pat Young, Michael J. Malone and Douglas Skelton hamming it up.

sheila and me

Me and ma pal catching up on a year’s gossip.

Expect the Unexpected

2000px-Curveball

Credit: silver spoon

We were dealt a curve ball recently. Out of the blue it came, shocking us out of our complacency. We were halted in our tracks as we tried to make sense of what it meant, how our lives had to change and what exactly we could do about it.

To thoroughly tangle up the metaphors, the ripples spread outward to involve family members, friends and acquaintances and those we had yet to meet. And there were going to be quite a lot of them.

But the writer in me realised the potential of such an unexpected event. Looking at my WIP (work in progress) I realised that a curve ball, a googly, was exactly what my characters needed. Something to shake them up, stir them into action and have them deal with it.

The romance is going too well, the crime is almost solved, the goody is about to defeat the baddy, so throw your characters a curve ball and muddy the waters. (It’s a day for mixing metaphors, I see). How do they react? Are they stunned into immobility? Do they dissolve into hysterics? Do they explode with an uncontrollable rage? Are they numb? Pragmatic? Depressed? Do they rise above themselves, find hidden talents and strengths? Act in ways they thought were beyond them?

What emotions are they experiencing? Fear? Grief? Resentment? Jealousy? Anxiety? Shock? Hurt? How can you show this for after all, every good writer knows that you show and don’t tell?

Whatever you do, don’t have the cavalry appearing over the brow of the hill. This is your character’s problem. Force them to deal with it. They’ll have difficulties and setbacks along the way but in the end, they’ll cope and feel all the more capable and confident for doing so. And you’ll have the opportunity of bringing out facets of your character’s character that even you didn’t know they possessed.

And us? We’ll pick ourselves up and carry on. Like we all do when the curve ball comes our way.